It has been a long while since the public caught a glimpse of the acclaimed actor Daniel Day-Lewis. After he statement in 2017 that he would no longer work as an actor, prior to the release of The Phantom Thread, the actor withdrew from the spotlight. Yet, during his hiatus, his reputation has only grown.
Largely, this reputation centers on his preferred approach to roles. Being an actor who famously disappears into the roles he plays – for example, while filming the Lincoln biopic, reportedly asked the director address him as “Mr President” for the entire production – audiences has grown increasingly obsessed with his process. Did he actually sent messages to co-star Sally Field in character as Lincoln? Did he only eat animals he’d killed during Last of the Mohicans? And did he demand receiving food via spoon for My Left Foot?
Extreme acting methods: has the public fallen out of love with actorly excess?
Now, Day-Lewis is back in the limelight, with some hesitation, promoting his latest movie Anemone. And he is taking this chance to vocalise his frustration at how the Method technique is viewed. “I am somewhat annoyed these days to hear various individuals talking carelessly and saying things like ‘gone full method’, which I think is meant to imply that someone is acting insane in a drastic way,” he stated to a major publication. “People often concentrate on superficial aspects of acting, and these elements always seem to involve some sort of self-flagellation or an experience that causes a severe discomfort or mental instability. However, in the life of an actor, it has to mainly focus on the internal work.”
Frankly, it appears like the actor has emerged from seclusion and found himself aghast at the world that has developed in his image. If you’re regarded as one of the greatest performers to ever work, and your approach includes striking a prop to the point of injury (for Gangs of New York) or spending two days in solitary confinement deprived of sustenance (for In the Name of the Father), then it stands to reason that other actors will want to fill that vacuum by imitating their idol.
In other words, we exist in a landscape populated by half-cocked Day-Lewis impersonators who want nothing more than to show the world the sheer amount of effort they put into their roles. On the milder side of this trend there are performers such as Lady Gaga, who was so desperate to win an Oscar with House of Gucci that she dedicated the entire promotion trying to convince everyone that she became an Italian native for a year and a half in preparation.
Then we have Jared Leto, who chose to deeply embed himself into the role as the Joker (for Suicide Squad) by sending “horrifying” presents to fellow cast members. These items, according to various accounts, range from dead pigs and rats to anal beads and used condoms, though the actor refuted those worst excesses. And then, naturally, we have Jim Carrey, who immersed himself so fully into Andy Kaufman during Man on the Moon that filmmakers succeeded to get a feature-length documentary from behind-the-scenes footage of him making life to the utmost for his colleagues.
The foremost Method Guy currently would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose process during Succession was so laboriously intensive that it formed the subject of a derisive magazine feature, full of quotes from people who were worried about his conduct (“The toll to himself that worries me,” said Brian Cox) or extremely irritated by his actions (“I remember him causing others to react with exasperation,” stated an anonymous cast member).
Daniel Day-Lewis says he ‘never intended to retire, really’
We have numerous additional cases. Andrew Garfield abstained from sex over half a year while preparing for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. It’s quite possible that Austin Butler still speaks like Elvis Presley, years following that film came out. Each of these instances, in part, aims to evoke the dedication with which Day-Lewis approaches his work.
Moreover, although his rebuttal against method detractors could be commendable, a brief promotional cycle might not be enough to change anyone’s mind, not to mention their practices. Maybe if he wants to make audiences recall what method acting is, or to show them what it can achieve, then Day-Lewis’s best bet is to simply start making more films. Surely everyone would support that idea.
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